He has written for many Catholic publications, including National Catholic Register and Our Sunday Visitor. Robert Brennan is a weekly columnist for Angelus online and in print. In our world, which includes “designer babies” and even clones of our favorite cocker spaniel, I shudder to think what God has in mind to get our attention. Victor Frankenstein’s fictional life was a cautionary tale about the ramifications that can happen when we openly defy God’s divine plan.
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Yet there are recurring biblical themes resonating throughout the book that not only apply to 19th century Europe but 21st century Los Angeles as well.įrankenstein is proof Mary Shelley could imagine a lot, but I doubt she and her bohemian parents could have imagined the world we inhabit today - where “free” love and license of whatever lifestyle one wants to indulge is openly endorsed by the mainstream culture. That’s a lot of thematic stuff for a book that most people think of as just being about a guy with bolts on his neck who has a rather awkward and unconventional means of communication.Īnd all of this came from the mind of an 18-year-old with little or no interest in the God of the Bible.
Try as he might to conform his unnatural state to the rhythm and logic of God’s divine plan, he only generates more unhappiness. Of course, that doesn’t end well either because the entire premise of his existence is flawed. The creature also knows it is not good to be alone and wants a suitable mate. Frankenstein feel the same psychic pain the creature feels. He is abandoned by the one who created him, and that abandonment leads him to want to seek vengeance and make Dr. Instead, the creature of the novel is more victim than victimizer.
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If the creature created out of clandestinely acquired human body parts (sound familiar?) was just a monster, as he has been portrayed in so many lesser movie versions, the book would not be celebrating its 200th anniversary. A supernatural order, that when her protagonists in the guise of Victor Frankenstein abuses that order, the price is death and emotional/spiritual collapse. Yet, somewhere deep down inside this 18-year-old girl’s heart was the knowledge of a force greater than she could contradict.
Placing her in the context of the early 1800s makes her parents’ as well as her own lifestyle choices truly unconventional at a time when there were crowned heads throughout Europe. She was born into a bohemian family of “free thinkers” and sexual libertines. Mary Shelley was by no stretch of the imagination a Christian apologist. The result of this oh-too-late realization, though, has a rippling effect of moral disasters. He has stepped on God’s toes and understands this almost immediately. Victor Frankenstein realizes early on in his experiments that he has gone somewhere he ought not have gone. Shelley was trying to convey.Īnd that message is found in the subtitle of the book, “The Modern Prometheus.” Dr. But Universal made up for that with the sequel “Bride of Frankenstein” which was more faithful to the big ideas the young Ms. It did a lot of damage to the essence of the book, creating more monster than damaged creature - going for, at the time, shocking horror - when the “true” story is more psychological and spiritual drama. The Universal blockbuster “Frankenstein” in 1931 has much to answer for. Inside the covers they would find a compelling story that travels so much further than any of its cinematic versions.Īnd there have been legion of movie versions of a story that began as a dare on a stormy night in a secluded mountain retreat. Girl, of course, is a relative term, as Mary Shelley had already been involved with her lover’s marital breakup and her own parents were avant-garde types that, even by today’s liquid standards, were not living exactly by the kind of guidelines found in the Baltimore Catechism.īut her one great artistic endeavor endures, and I think it does so for good reason.įirst, it is a solid piece of literature and as I have hectored before, a book that not enough people have read, but should. Not many books written two centuries ago that are both still in print and eagerly consumed - even fewer of that vintage that were written by a teenage girl.
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